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• movie info - Follows one day in the life of Jane (Julia Garner), a recent college graduate and aspiring film producer, who has recently landed her dream job as a junior assistant to a powerful entertainment mogul. Her day is much like any other assistant's - making coffee, changing the paper in the copy machine, ordering lunch, arranging travel, taking phone messages, onboarding a new hire. But as Jane follows her daily routine, she, and we, grow increasingly aware of the abuse that insidiously colors every aspect of her work day, an accumulation of degradations against which Jane decides to take a stand, only to discover the true depth of the system into which she has entered
• Matthew Macfadyen
• 
• 67 vote
• countries - USA
• rating - 5,5 / 10

The assistant cast.

“Have you no son?” “I am blessed with two daughters” Now thats a good dad.

Posted on Thursday, December 5th, 2019 by The monstrous behavior of Harvey Weinstein finally met its match a couple years ago when women in Hollywood took a stand against the heinous abuse and sexual harassment that came from one of entertainments most infamous producers. It sparked the #MeToo movement and made waves across show business, targeting the manipulative men who had been taking advantage of women and behaving inappropriately for years. Now, a new drama called The Assistant shines even more light on the toxic environment that too many women have had to put up with, and the first trailer has just arrived. The Assistant Trailer The Assistant stars Julia Garner ( Ozark, The Americans) as a recent college graduate trying to break her way into the film industry by paying her dues as an assistant to a powerful entertainment mogul. But once shes on the job, slowly she starts to realize whats happening around her and stands up against the horrors looking her in the face. And all of this unfolds in just one day on the job. The movie isnt directly inspired by Harvey Weinstein, but its very clearly about him and so many other toxic people working in Hollywood who have perpetuated a not-so-secret system of sexual harassment and misconduct. As you can see, the quotes from critics who caught the movie at the Telluride Film Festival this year paint a clear picture of how much this movie resonates without being melodramatic about it all. It also helps that this movie is directed by Kitty Green, providing a much needed female perspective to these horrific standards in the entertainment industry. The Assistant also stars Makenzie Leigh, Kristine Froseth, Jon Orsini, and Noah Robbins. Heres the official synopsis: The Assistant follows one day in the life of Jane (Julia Garner) a recent college graduate and aspiring film producer, who has recently landed her dream job as a junior assistant to a powerful entertainment mogul. Her day is much like any other assistants – making coffee, changing the paper in the copy machine, ordering lunch, arranging travel, taking phone messages, onboarding a new hire. But as Jane follows her daily routine, she, and we, grow increasingly aware of the abuse that insidiously colors every aspect of her work day, an accumulation of degradations against which Jane decides to take a stand, only to discover the true depth of the system into which she has entered. The Assistant will play at the 2020 Sundance Film Festival in January before hitting theaters on January 31, 2020. Cool Posts From Around the Web.

The assistantes maternelles. The assistant pastor. The assistant 2019. I remember her from Ozark. She's so gorgeous. The assistant movie near me. Now Playing In Select Theaters. Everywhere February. Story The Assistant follows one day in the life of Jane (Julia Garner) a recent college graduate and aspiring film producer, who has recently landed her dream job as a junior assistant to a powerful entertainment mogul. Her day is much like any other assistants – making coffee, changing the paper in the copy machine, ordering lunch, arranging travel, taking phone messages, onboarding a new hire. But as Jane follows her daily routine, she, and we, grow increasingly aware of the abuse that insidiously colors every aspect of her workday, an accumulation of degradations against which Jane decides to take a stand, only to discover the true depth of the system into which she has entered. The Assistant Official Trailer The Assistant Official Trailer.

Cant wait to see this 🤣. Nice to see this movie finally see the light of day. It has been in the can since 2017. It was shows at the Toronto film festival. Critics Consensus Led by a powerhouse performance from Julia Garner, The Assistant offers a withering critique of workplace harassment and systemic oppression. 85% TOMATOMETER Total Count: 60 11% Audience Score Verified Ratings: 9 The Assistant Ratings & Reviews Explanation Tickets & Showtimes The movie doesn't seem to be playing near you. Go back Enter your location to see showtimes near you. The Assistant Videos Photos Movie Info "The Assistant" follows one day in the life of Jane (Julia Garner) a recent college graduate and aspiring film producer, who has recently landed her dream job as a junior assistant to a powerful entertainment mogul. Her day is much like any other assistant's. making coffee, changing the paper in the copy machine, ordering lunch, arranging travel, taking phone messages, onboarding a new hire. But as Jane follows her daily routine, she, and we, grow increasingly aware of the abuse that insidiously colors every aspect of her work day, an accumulation of degradations against which Jane decides to take a stand, only to discover the true depth of the system into which she has entered. Rating: R (for some language) Genre: Directed By: Written By: In Theaters: Jan 31, 2020 limited Runtime: 87 minutes Studio: Bleecker Street Cast News & Interviews for The Assistant Critic Reviews for The Assistant Audience Reviews for The Assistant The Assistant Quotes News & Features.

PLOT: A young woman ( Julia Garner) works as an assistant to a predatory New York-based movie mogul. REVIEW: In essence, THE ASSISTANT is the first (but likely not the last) movie about Harvey Weinstein. Due for a theatrical release next month through Bleecker Street, its well-timed considering that his trial is currently underway, with damming testimony each and every day giving us deeper insight into the culture of abuse that was seemingly a day-to-day thing at Miramax and The Weinstein Company. One of the big questions has been whether or not the people who worked for Weinstein knew, and how complicit they were in his crimes. Kitty Greens THE ASSISTANT gives voice to the many underlings Weinstein burned through over the years, many of whom were shackled by NDAs or the threat of career ruin were they to speak up. THE ASSISTANT takes you inside the corporate culture in a minimalist way, taking place over one seemingly endless day in the New York office of what one can assume is The Weinstein Company as Kelly Garners Jane spends a day working for her tyrannical, unseen boss. We track her as she arrives in the middle of the night on a Monday morning to do things both routine (printing up the weekend box office, making coffee) and distinctly not routine (cleaning fluids off the “casting couch”, retrieving lost jewelry left in his office) while also fielding calls from her bosss frazzled wife. We never see the man who would be Weinstein, although we hear his voice on the phone as he berates Jane in random fits of pique (lets not forget - in addition to being a sex abuser he was also a world-class bully. Anyone looking for a sense of empowerment or a happy ending should look elsewhere. Thats not this movie. Rather, its an honest look into a permissive culture where going with the flow was easier than blowing the whistle, with Janes trip to a slimy HR guru ( Matthew Macfayden) having disastrous results. Youre not asked to sympathize with Jane or even understand her - rather it just presents what went on in a matter of fact way. Jane wants to get ahead but knows theres a cost, with her in effect serving as his de facto pimp when his latest conquest, a young woman straight off the bus from Idaho, shows up for a new job at the office. Its a strong showcase for Julia Garner, whos made big waves in recent years thanks to her arcs on “The Americans” and “Ozark”. Shes meant to play the film in a cold, aloof way as she cant act out emotionally lest she show her bosses what she thinks of them. She maintains our sympathy as shes personable, even if despite her conscience shes just another enabler. This ambiguity is going to make THE ASSISTANT a tough sit for many, as its not a clear-cut narrative at all. In eighty-seven minutes, we follow Jane on a relatively mundane day, with us getting the sense that its no better or worse than a usual Monday and that the next day shell be asked to do things that are just as bad. Is she responsible? Id wager shes not, as the movie shows shes merely a cog in a much larger machine, with Macfayden even telling her at one point that hes got a stack of four hundred CVs all eager to take the entry-level job she has. If she doesnt do it, someone else will. Shes still an enabler, but the film doesnt ask you to condemn her for that. This ambiguity will likely keep THE ASSISTANT from crossing over in a major way, although its certainly a fascinating companion piece to the trial thats happening now and an important time capsule in some ways.

There's a bigger message here, it's time to start talking to your neighbors, it's time to stand together like True Americans, and strike down the true evil and divisiveness in this country. 1 nomination. See more awards  » Edit Storyline It's the turn of the century and jobs are hard to find. A young man assigns himself the job of a store clerk, without pay, only a place to sleep and eat, after he was manipulated by a hoodlum friend into robbing the man's store. Soon he falls in love with the pragmatic store owner's daughter, who hesitates in giving her heart, or body. Nonetheless, the young man perseveres, much to the chagrin of her strict Jewish mother, who doesn't want her daughter marrying a gentile. Written by BOB STEBBINS <> Plot Summary, Add Synopsis Details Release Date: 1 May 1998 (Canada) See more  » Company Credits Technical Specs See full technical specs  » Did You Know? Connections References Little Caesar  (1931) See more ».

The vampire's assistant trailer. The assistant film 2020. Does this kind of seem like a horror comedy to you. Looks funny. Duuuuude! 👀😨😴. The assistant movie 2020. The assistant manager. The assistant malamud. Executive producer - Harvey Weinstein. Well I just watched the whole movie in 2 minutes but I liked it and now I want to see the full thing. The assistant kitty green. Crystal goes to the Assistant for a check up to try and find out why she has such a tummy ache! In the second video, the Assistant has to help Gekko from PJ Masks! Follow Us on Instagram. Follow us on Facebook! Check out some of these fun Playlists by TheEngineeringFamily The Assistant, Batboy Ryan, and Officer Smalls has lots of fun adventures. Adventures with the Assistant. Spooky Halloween inspired videos. The Adventures of the Assistant and Wiggles. Familyfun #Familyfunforeveryone #Theengineeringfamily.

The assistante. The assistant movie. The assistant engineering family. The Assistant - Movie Trailers - iTunes. The assistant to the regional manager. Maybe Im sinister and bitter but these days people would never do anything to help another people people now only care for them self. Unless ur pretty smart or rich you people will will just set right all over you you dont another for being a good person. Harvey Weinstein doesnt appear anywhere in Kitty Greens spare, nervy #MeToo drama  The Assistant, and his name is never mentioned. But hes the bogeyman hovering at the edge of every frame: a clear model for the mercurial film executive, also unseen, whose offstage movements guide every moment of the day for Jane ( Julia Garner. From the minute she sets out for his Tribeca production office in the early-morning dark, Jane never really stops: She Xeroxes scripts, fetches water, books flights and car services, fields endless phone calls. (There are two others like her; busy young men in headsets who wear the air of something senior to her, even if theyre not. Ty Johnson/Bleecker Street Its thankless work, more like a sort of executive maid, and unpaid; nobody is asking about her honors degree from Northwestern when shes washing dishes in the breakroom. And when she does encounter her boss — through his closed office door, on the phone or over email — its mostly to be screamed at or reprimanded for some perceived failing: fielding a call from his furious wife, or daring to question the presence of a pretty new assistant left in her care. Writer-director Green ( Casting Jon-Benet) films scene after scene of these quotidian tasks, nearly in real time. The lighting is grim and industrial; the pace deliberately glacial. At times, it feels like watching The Devil Wears Prada  be reworked by Ingmar Bergman. But small moments accumulate: in the way Jane doggedly rolls her Sisyphean rocks up the hill, one by one; and the way everyone — passing executives, her fellow assistants, the beautiful young women who perch anxiously in the waiting room — hardly deign to register her existence. (Even a little girl treats her with a sort of royal disdain. This, Green makes constantly, crushingly clear, is what it feels like to be the least important person in the room. With so little exposition, theres not much chance for her protagonist to become a whole person in the audiences eyes, but Garner (a recent Emmy winner for her turn on Ozark) puts everything into Janes watchful gaze: fear, anxiety, incredulity, exhaustion; the rare lightning-bolt flash of rebellion. And she finds the telling details in her smallest interactions, whether its a painfully awkward town car ride with one of her bosss pillow-lipped “discoveries, ” or a late-night phone call to her sweet, oblivious father. The presence of Garner and Succession s Matthew McFayden (as an insidiously unhelpful HR rep) might lead casual viewers of the movies trailer to think that The Assistant will follow a more conventionally satisfying narrative path than it does. By almost any metric, this movie is not entertainment; its slow, painful going — even the continued inference of sexual misconduct, and the demi-climax that Janes attempt at confronting it leads to, register at a sort of muffled hum. Instead of melodrama, the movie finds its traction in parsing out micro-aggressions and mood: a sort of devastating slow-drip portrait of the power structures that allowed a man like Weinstein to happen — and keep more like him in place, untouched by any justice a hashtag can reach. B+ Related content: The Assistant is not just about Harvey Weinstein, says star Julia Garner and director Kitty Green See all the stars at the 2020 Sundance Film Festival Read more of EWs coverage from Sundance.

The assistant julia garner. This already looks way better than Disneys Star Wars trilogy as a whole. This trailer really came out at the wrong time, Iran a peaceful country that is never in the news 😂😂. I'm a nice guy said literally no actual good guy ever. Kitty Greens film about a day in the life of a young woman at a Weinstein-like company is a spare, searing story of abuse and complicity. Photo: Courtesy of Sundance Institute Whenever Jane (Julia Garner) has to write an apology email to her boss, the other assistants in the room reflexively come up behind her to suggest wording. “Its not my place to question your decisions, ” they murmur over her shoulder as she types, “Im grateful for the continued opportunity. ” Its a ritual of abasement to which theyve obviously become accustomed. Jane, on the other hand, is still learning the ropes at the New York film company at which The Assistant is set. She occupies the lowest rung on the ladder, which is why she has to arrive first, in the pre-dawn darkness, to open up the office. Its also why she puts on gloves and cleans up whatever new stains have been deposited on the couch in the chairmans office. The expression on her face when she does this is the same as the one thats there when she washes the dishes left in the kitchen by co-workers who dont even seem to see her. Its the tight, pallid look of someone trying to get through things without thinking too hard about what shes doing. That the man Jane is working under in The Assistant is a stand-in for Harvey Weinstein is understood. Hes never named and he never appears onscreen, an approach that echoes how filmmaker and former Weinstein assistant Leslye Headland wrote about her old workplace in her 2008 play Assistance. The Assistant shares an understanding that the man himself is less psychologically interesting than the people around him, and how theyve learned to tolerate, accommodate, rationalize away, or internalize his behavior. What makes the film such a spare but searingly insightful treatment of the issues at the core of Me Too is the way it refuses to separate its unseen executives sexual predation from the larger structures that enable it. The environment revolves around certain unspoken but understood rules of abuse — namely, that abuse is something that you have to put up with until youre powerful enough to be amused by or dismissive of it when its directed at others. And here its women, especially women that the chairman finds desirable, who receive a disproportionate amount of it. The Assistant is the first scripted feature from writer-director Kitty Green. For her last film, the 2017 documentary Casting JonBenet, Green put out a call to Colorado-based actors to try out for the major roles in the unsolved 1996 child murder, and, while they were there, to offer up their own theories and recollections. It was an excavation of our true-crime obsession that was illuminating, chilly, and occasionally cruel in its pitiless use of its eager-to-please interviewees. That same sense of distance is there in The Assistant, but it serves the new film far better. The Assistant observes its main character, a recent college grad who has theoretically landed her dream job, with a detached interest, taking in her struggles and her complicity while offering her neither sympathy nor castigation. The camera pays closer attention to Jane than the people in her professional life, most of whom treat her as ranking somewhere above office furniture but not quite at the level of actual human. In one sequence, she shares an elevator with Patrick Wilson, apparently playing himself, and the way they awkwardly attempt to exit at the same time suggests he hadnt even realized shed been standing next to him. The Assistant takes place over the course of a grueling but typical day for Jane — an airless trudge through phone calls and photocopies that deviates from the norm only when she decides to stop by human resources to file a complaint. She does this not on her own behalf, but because of the new assistant the chairman has decided to add to the pool — a painfully young and pretty former waitress from Idaho (Kristine Froseth) that he met at a conference and offered a job to. Its hard to tell whether Jane is moved to action because she sees herself in the new girl, whom she nevertheless escorts to her boss hotel of choice. It seems just as possible that she acts because she doesnt see any of herself in the new girl; the hiring lays bare how arbitrary their employment is. Its not work or experience that matters, its the demanded displays of loyalty and subservience — and in that light, fielding calls from your boss angry wife and (maybe) trading sexual favors with him are all regarded as the same thing. The scene in HR that follows, and that involves Matthew Macfadyen, with a smile full of razors, makes the dilemma of Janes position apparent. He suggests shes jealous, that shes overreacting, that shes denying the agency of grown women, and thats she throwing away a prime opportunity for the sake of a whim. And once hes worn her down to a nub, he assures her, “I dont think you have anything to worry about. Youre not his type. ” Theres nothing about Jane, whom Garner plays with a rabbity air of uncertainty, that suggests shell ever speak up again. Shes a girl from a nice home who went to a good school, and shes doing what shes been told she ought to in order to rise through the ranks. When her boss gives her the verbal equivalent of a pat on the head after one of his outbursts — “Im tough on you because Im gonna make you great” — its easy to imagine Jane as one of the few older women executives in the office, who roll their eyes at everything she struggles to bear witness to, having long ago accepted that its all part of the business. Alison Brie Based Horse Girl on Her Own Mental Health History Russell Simmons Accuser Documentary On the Record Headed to HBO Max A Complete List of Movies Sold at Sundance See All The Assistant Is the First Great Movie About Me Too.

The assistants. Kitty Green's drama stars Julia Garner ( Ozark' as the assistant of an unnamed, unseen film industry mogul clearly based on Harvey Weinstein. You hear him. You feel his presence in the next room. His aides, of which you are one, are ever on alert to satisfy his ever-changing demands. You want to escape his wrath. But you never see him. Hes the elephant in the building, receiving visitors, including attractive young women. We all know who he is and are certain of what hes up to. But hes the king and youre an instantly replaceable flunky. Such is the premise of The Assistant, a novel, low-key, insider-ish glance at what it was like, not too long ago, to work for a certain outsize Hollywood mogul whose headquarters were a continent away in downtown New York City. He looms over all but no one dares speak his name. On the basis of her earlier documentaries, which include Ukraine Is Not a Brothel and Casting JonBenet two years ago, Australian writer-director Kitty Green clearly seems drawn to controversial material rooted in aspects of sexual exploitation. In her modestly scaled dramatic feature debut, she has taken a restrained approach to the inflammatory, keeping the temperature at a low simmer and insinuating rather than showing whats going on in the bosss office and in the luxury hotels he books for certain select female candidates for his attention. As if writing for a concentrated, minimalistic theater piece, Green basically presents a day in the life of an assistant to the unseen mogul. Jane (Julia Garner) is the first to arrive at the modestly sized Soho office space; its still dark outside, and she goes about the Jeanne Dielman-like daily chores of preparing the coffee, lining up the water bottles just so and, tellingly, scrubbing the couch, the first hint that something untoward might have gone on the day before in the office. You get the feeling she has made an effort to downplay her looks, pulling her hair back primly and wearing a modest outfit. Shes also extremely reserved with her largely male office colleagues, who, for their part, disregard her, either out of a sense of superiority or the feeling that she could be there one day and gone the next, or probably both. In all events, Jane, who has been on the job for just over a month, tries to keep her head down to avoid unwanted attention. Mostly, the film is devoted to detailing what one might call the ever-urgent monotony of life in the office; the boss is flying to L. A. at 11:00 tonight out of Teterboro, and there will be two additional passengers; confirm the reservation at the Peninsula; “The Wife” is calling; a beautiful blonde has just arrived for a meeting. Later in the day, Jane finds a way to return a gold bracelet to an Asian woman who was recently in the bosss office, and the quiet, unspoken indignities only accelerate from there; the young male assistants who constitute the vast majority of the office staff are short with and condescending toward Jane, whom they perhaps assume wont be there for too long, and everyone seems to be on tenterhooks, also no doubt for good reason. Green is very good at sustaining the sense of low-boil fear and tension that prevails among the whole staff, as well as pinpointing the pressure everyone feels to always deliver and not to attract attention by screwing up. Also very clear is how the few women in the office, and specifically Jane, hope to survive by not drawing the slightest adverse attention. However, its to the films ultimate detriment that Jane remains such a quiet, withdrawn, deliberately attention-avoiding figure. So determined to remain essentially invisible is she that she eventually seems out of place in such a dynamic, if combustible, environment. Nothing about her seems exceptional, to the point that one wonders why she chose to work in this rarefied realm. Jane just wants to keep her head down and escape unwanted scrutiny. As a result, the central character never develops in an interesting way. Well before the wrap-up of this brief tale, her cultivated recessiveness becomes tiresome and, in these particular circumstances, a bit dull. Up to this point, however, the film maintains an intriguing and well-managed tension, and its exacting evocation of a very particular time and place in very recent film industry history will stir the interest of industry members and students of it. A more general public, however, will likely find Greens approach dry and too restrained. Therefore, given the fireworks that have replaced the look-the-other-way attitude that prevailed for so long on the topic of this piece, The Assistant stands as an insightful, if after-the-fact look at long-tolerated behavior. It's a reminder of how things were until very, very recently. Production companies: 331 Productions, Cinereach, Forensic Films, Symbolic Exchange, Level Forward Cast: Julia Garner, Matthew Madfadyen, Mackenzie Leigh, Kristine Froseth, Jon Orsini, Noah Robbins, Julia Canfield, Alexander Chapin, Bregje Heinen Director-screenwriter: Kitty Green Producers: Kitty Green, Scott Macaulay, James Schamus, P. Jennifer OGrady Executive producers: John Howard, Avy Eschenasy, Abigail E. Disney, The Level Forward Team Director of photography: Michael Latham Production designer: Fletcher Chancey Costume designer: Rachel Dainer-Best Editor: Kitty Green Music: Tamar-kali Venue: Telluride Film Festival 81 minutes.

The assistant commissioner of police. Nooooo I'm not trying to cry, looks good but nope nope. The assistant by bernard malamud. The Assistant Genre Reality Comedy Directed by Kasey Barrett Jeff Fisher Presented by Andy Dick Country of origin United States Original language(s) English No. of seasons 1 No. of episodes 8 Production Running time 25 minutes Release Original network MTV Original release 12 July – 30 August 2004 External links Website The Assistant is a reality television show that parodied other reality shows such as The Apprentice, The Bachelor, The Bachelorette, Survivor, American Idol, and Fear Factor. Its eight episodes originally aired on MTV. It featured comedian Andy Dick 's search for a new personal assistant. The beginning of the first episode parodied The Bachelor, with the twelve contestants arriving in limousines, and Dick waiting outside to greet them with his maid and butler. A "rose ceremony" immediately followed, and one contestant was eliminated. Dick assigned the Hollywood hopefuls to some absurd tasks such as pretending to be him in an interview with a Japanese television station, bringing him coffee by traversing on a beam over a swimming pool, breaking up with his girlfriend, and attempting to get him a star on the Hollywood Walk of Fame. Contestants were usually "clipped" in elimination ceremonies parodying those on other reality series. [1] Like some other programs, The Assistant also included double elimination episodes and brought back fired candidates. Driving home Dick's message that they were starting from the bottom, candidates slept in Dick's garage. He also woke them with a flashing, siren-generating alarm, was prone to tantrums, and griped that, This reality show is ruining my life. 2. citation needed] Andy Dick actually had a relationship with one of the contestants on the show. Andy and Sarah Beckworth dated for a while after the show's end. The end of the relationship led to a breach of contract lawsuit with MTV which prohibited relationships with the contestants. Though the show was satire, the twelve contestants were real and the winner, Melissa Ordway, was awarded several prizes including a job at MTV. [3] The runner-up was Mark, who had been fired, but was brought back in the seventh episode. The show was not renewed after its first season. Contestants eliminated and reality show parodied [ edit] in reverse order of elimination) Melissa Ordway (Winner) Mark Rogers The Apprentice theme, Eliminated Episode 4 (brought back Episode 7) Eliminated Episode 8 Tanika Kennedy Fear Factor theme, Eliminated Episode 7 Mykell Wilson American Idol theme, Eliminated Episode 6 Colin Blake Anna Enger Unaware, surprise lie detector test, Eliminated Episode 5 Stefani Fischer The Amazing Race theme, Eliminated Episode 5 Ebony Boykins Survivor theme, Eliminated Episode 3 Nikeda Stanback Who Wants to be a Millionaire theme, Eliminated Episode 1 (brought back Episode 3) Sarah Beckworth America's Next Top Model theme, Eliminated Episode 2 Jeff Jimenez Andrew Sturgis (Andrew Rodgman) The Bachelor theme, Eliminated Episode 1 References [ edit] Roberts, Anthony (6 November 2004. Reality check. Review. The Australian. p. B36. ^ Janes, Thoden; Fasbach, Laura; Ervolino, Bill; Schwarz, Marc; Advocate, Stamford (26 July 2004. reality bites. The Mix. The Record. p. F02. ^ Bentley, Rosalind (19 September 2004. Q&A / MELISSA ORDWAY: Reality TV gig bites, but she loves it. Gwinnett News. The Atlanta Journal-Constitution. p. JJ5. 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I like how Disney is using epic orchestral music for their trailers like in Rise of skywalker and Mulan too. I hope she grows up to be a huge actress and not just quit in her teens like Dakota fanning... Ruth Langmore finally made it big. The Assistant Theatrical release poster Directed by Kitty Green Produced by James Schamus Scott Macaulay P Jennifer Dana Written by Kitty Green Starring Julia Garner Matthew Macfadyen Kristine Froseth Makenzie Leigh Noah Robbins Dagmara Domińczyk Purva Bedi Music by Tamar-kali Cinematography Michael Latham Production companies Symbolic Exchange 3311 Productions Distributed by Bleecker Street Release date August 30, 2019 ( Telluride) January 31, 2020 (United States) Running time 85 minutes [1] Country United States Language English Box office 84, 702 [2] The Assistant is an American drama film written and directed by Kitty Green and starring Julia Garner, Matthew Macfadyen, Kristine Froseth, Makenzie Leigh, Noah Robbins, Dagmara Domińczyk and Purva Bedi. It had its world premiere at the Telluride Film Festival on August 30, 2019. It was released on January 31, 2020, by Bleecker Street. Premise [ edit] A young female graduate enters a film production company, slowly understanding the shady behaviors and practices in use. Cast [ edit] Julia Garner as Jane Matthew Macfadyen as Wilcock Kristine Froseth as Sienna Makenzie Leigh as Ruby Noah Robbins as Male Assistant Dagmara Domińczyk as Donna Purva Bedi as Executive Assistant Production [ edit] In September 2018, it was announced Kitty Green would write and direct the film with James Schamus and Scott Macaulay producing under their Symbolic Exchange banner. [3] In December 2018, Julia Garner joined the cast of the film. [4] In April 2019, Matthew Macfadyen, Kristine Froseth, Makenzie Leigh, Noah Robbins, Dagmara Domińczyk and Purva Bedi joined the cast of the film. Production concluded that same month in New York City. [5] The film helps explain how sexually predatory behavior by powerful men often remains hidden. [6] Release [ edit] The Assistant had its world premiere at the Telluride Film Festival on August 30, 2019. [7] Shortly after, Bleecker Street acquired distribution rights to the film, and set it for a January 31, 2020, release. [8] Critical response [ edit] On the review aggregator website Rotten Tomatoes, the film holds an approval rating of 84% based on 49 reviews, with an average rating of 7. 2/10. The critical consensus reads, Led by a powerhouse performance from Julia Garner, The Assistant offers a withering critique of workplace harassment and systemic oppression. 9] On Metacritic, which assesses films on a score out of 100, The Assistant holds a score 72 based on reviews from 10 critics, indicating "generally favorable reviews. 10] See also [ edit] Me Too movement Sexual harassment Michelle Obama's October 13, 2016 speech References [ edit] "Telluride Program Guide" PDF. Retrieved August 29, 2019. ^ The Assistant. Box Office Mojo. Retrieved February 2, 2020. ^ D'Alessandro, Anthony (September 7, 2018. Harvey Weinstein Assistant Feature In The Works From Kitty Green & James Schamus – Toronto. Deadline Hollywood. Retrieved April 8, 2019. ^ Wiseman, Andreas (December 13, 2018. Harvey Weinstein Assistant Movie: Ozark' Star Julia Garner In Negotiations To Play Lead. Retrieved April 8, 2019. ^ Wiseman, Andreas (April 8, 2019. Harvey Weinstein Assistant Movie: Matthew Macfadyen, Kristine Froseth & Makenzie Leigh Join Kitty Green Pic. Retrieved April 8, 2019. ^ Chang, Justin (2020-01-28. The Assistant' Helps Explain How Predatory Behavior Stays Hidden. NPR. Retrieved 2020-01-28. ^ Hammond, Pete (August 29, 2019. Telluride Film Festival: Ford V Ferrari. Judy. Motherless Brooklyn' Weinstein-Inspired Drama 'The Assistant' Among Premieres Headed To 46th Edition – Full List. Retrieved August 29, 2019. ^ Hipes, Patrick (October 25, 2019. Harvey Weinstein-Inspired 'The Assistant' Acquired By Bleecker Street, Will Hit Theaters In January. Retrieved October 25, 2019. ^ The Assistant (2019. Rotten Tomatoes. Fandango. Retrieved January 31, 2020. ^ The Assistant Reviews. Metacritic. CBS Interactive. Retrieved January 29, 2020. External links [ edit] The Assistant on IMDb.

Just like the book this Movie will be a MASTERPIECE. Gary, Amy and Julianne RULE. D. Photos Add Image Add an image Do you have any images for this title? Edit Storyline 12 Assistants. Only One Hollywood job. Andy Dick spoofs reality TV as he invites 12 contestants to live in his house and be slowly and painfully elimintated as he sends them through hellish challenges in the world of Dick. "It's Elimination Time Bitches. Only one will win a new car, new clothes and the title of The Assistant. Written by bitches Plot Summary, Add Synopsis Details Box Office Budget: 800, 000 (estimated) See more on IMDbPro  » Company Credits Technical Specs See full technical specs  » Did You Know? Quotes Andy Dick: It's elimination time, bitches! See more » Connections Referenced in Beaver Falls: Episode #1. 4  (2011) See more ».

The assistant sparknotes. The assistant showtimes. Rear Window the female version but the person who sees the murder is a agoraphobic. Actually realized that there is a nod to another Hitchcockian film. The switch and agoraphobic makes me think of the guy afraid of heights. If you know the movie help me out. This looks wonderful. Definitely watching this. The assistance fund. Why am I digging this red guardian so much? something about this character...

Yeah if i had a daughter like that i would be proud.